erica orgen

In Repose: The Figure

My process begins with a detailed charcoal drawing as a foundation for the final painting. Traditional academic renderings are an integral part of my process by juxtaposing realistic approach, then a fresh engagement redefining the figure. There is a tension between the traditional drawing and reimagined painting. I apply unexpected colors: acid green with pastel mauve, neon blue with lemon yellow. The loosely brushed paint is rich in texture, thick and lush, as I embrace the spontaneity of the process. The images are complete when the paintings’ formal properties and content enhance the figure’s expressive possibilities.

I draw inspiration from juxtaposing art history and contemporary life, rendering figures in repose during a time/era of constant demands and distractions. In repose refers to a state of tranquility. In modern society, productivity is highly valued. The figures and their environment are simultaneously vague and suggestive, inviting the viewer to create their own narrative. While referencing figures of the past, I challenge present conditions and conflicts. Does being in repose exist today… or does the discord in our world negate the possibility for peace of mind?

I reinterpret the figures in a contemporary style, intense color, and emphatic brushstrokes, creating paintings relevant today. Experiencing both the drawing and painting side by side allows the viewer the unique opportunity to witness the recreation of the subject.

I revel in the random. The paintings and drawings feature a range of subject matter from classic Doc Martens to modern pixelated still lifes. Often celebrating ordinary objects, my paintings are a collection of the commonplace where I portray the everyday as extraordinary.

My inspiration is anywhere, everywhere, and everything

Solo exhibition: ONE/FAMILY

Intuitively capturing the essence of an individual, I transform their image into a personal iconography. Physicality, mood, and personality become the raw materials for my painting. Idiosyncrasies are exploited and celebrated to create an individualized "portrait".

My process begins with a pen and ink contour line drawing from a live model, preferably with whom I have a close relationship. The line is loose, whimsical, and spontaneous, allowing for exaggeration and interpretation. This drawing is the blueprint for an acrylic painting executed on masonite. The figure dominates in a simple enclosed space. I apply bold colors, juxtaposing a sharp line with a painterly technique.

My process is complete when a painting interprets an individual, highlighting their uniqueness, and concentrating on the formal properties of the painting.

"Grey crew cut, beard stubble, eyeglasses, sneakers, hands, and hairy legs are some of the distinguishing features of Dad on Striped Couch. My father sits on our family sofa where he routinely takes his nine-thirty pm 'power nap'. The familiar pose and our close relationship provided me with the ideal visual and emotional information. The finished painting accomplishes my goal of capturing the essence of my father with humor and individuality."